Analysis of first ten shots from protest music videos
Analysis of first ten
shots from protest music videos
1. Paper Planes by M.I.A
The first shot of this music video is an establishing
shot with duration of one second. It is black and white which could be homage
to old American movies. This is a narrative shot. This shot is followed by four
other very similar establishing shots with paper planes flying through which
switch on the beat of the music. The song is protesting about immigrants
struggling to find work and being pushed away and looked down upon for their
ethnicities. Therefore the use of black and white shots could be to remove
colour of people and to view everybody as one despite their backgrounds.
This is a one second duration shot of a mid close up
of a busy road with lots of peoples legs walking. Again is it black and white
perhaps to blur colour and create a retro style. The two characters that are
focused on look like business people due to one having a suitcase showing
perhaps they have been on a business trip and the other wearing formal clothes
including what looks like high heels which are typical office footwear. This
links to the message in the song, how different people can get different
quality jobs due to their backgrounds.
This shot is a long shot that shows a lorry turning
down a road with lots of parked cars either side, the shot is blurred and out
of focus. This shot is also one second long. The high amount of cars shown
could be to emphasize how busy cities can be and how this could add to the
difficulty in finding work. This is the first shot that is in colour, the
blurriness could have been used to make the switch from black and white to
colour less harsh.
This shot is back to black and white and
again shows a busy street in New York. It is a mid shot with a person in a
raincoat walking. Again has a one second duration.
This is the first
shot with the artist in it, it fits with the one second beat to the music and
shows her at work putting containers on a shelf, we later recognise this to be
a small sandwich shop. This shot it is mid close as we see the artist from her
shoulder upwards and is in colour which highlights her ethnicity. The
mise-en-scene of the shot indicates a dull setting which is not a luxury place
to work. Although the shot shows the artist, it is not performative as the
lyrics of the shot have not yet begun.
This shot is black and white and shows the same
street as before in the same exact spot with different people walking past. The
shot duration is one second however the clip is sped up, perhaps to highlight
the busy, fast pace working day.

The next shot it a
close up of a black truck with a skull and cross bones symbol on the bonnet. It
is again one second long. The use of the close up shot puts emphasis into the
logo, suggesting the negative, evil atmosphere of the song and video.
Again, this shot follows the same pattern of one second
duration.
It is showing the
same street from a different direction with everyday people going about their
day. It is in black and white like all the other shots of the area.
This
is the first performative shot of the video as the lyrics start. The artist is
shown singing and doing hand actions. It has three second duration. The setting
has an overall dark tone as the artist is located in a grungy alley way type of
place and is wearing a black jacket with the hood up; this could be to signify
how as an immigrant she feels she blends into the background and is unnoticed
in society. It is a mid shot.
It is showing the
same street from a different direction with everyday people going about their
day. It is in black and white like all the other shots of the area.
The tenth shot is
another perforamtive shot which shows
the artist lip syncing in the same sandwich van shop as before. She is doing
hand movements to portray a paper plane. The shot lasts two seconds. Her outfit
is a black and yellow kimono type shirt which stands out against the silver
metallic background. This is another mid shot.






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